Fall 2018 Online Exhibition
Encaustic is a wonderful medium that is being discovered by artists in increasing numbers. Or, rather, re-discovered, because it actually dates back to ancient Greece. Wax was used to waterproof their ships, as well as by artisans, and it has been in and out of favor in fine art through the centuries since. More recently, it was artist Jasper Johns who helped bring encaustic onto the contemporary art scene in the heyday of the Abstract Expressionists. He came across this little-known medium and was taken with its possibilities. As he worked out his own mixtures and processes, Johns created stunning bodies of work that are in major collections and still on display today
In its simplest form, encaustic is a combination of beeswax, a little damar resin, and pigment. The mixture is brought to a molten state and applied with a brush to a rigid surface while still liquid. Once it has cooled, this top surface is reheated so the wax melts into the layers beneath. It is this layering that gives an encaustic piece its unique depth and luminosity, as well as allowing for interleaving other materials that make it so versatile.
My goal in curating this online exhibition is to promote a growing awareness of encaustic and to showcase artists who are successfully expanding their vision and their craft by pursuing this challenging art form.
Click on an image in the gallery to view it larger or in a slideshow. Click on the artist’s name (if highlighted in red) to visit their website or to contact them by email.
Kim Ensch | More to Discover | Encaustic, paper, egg shells, shellac, wood mounted on aluminum (22″ x 12″)
Kim Ensch | More to Discover
Ruth Warnock | Communication Theory | Encaustic collage (16″ x 16″)
Ruth Warnock | Communication Theory
Melissa Porter | Outside My Window | Mixed media, wood, wax, found objects (9″ x 11″ x 1″)
Melissa Porter | Outside My Window
Melissa Rian | Train Station In Blue | Encaustic photo transfer (10″ x 8″)
Melissa Rian | Train Station In Blue
Martha VanRaaphorst | I’m Not Giving Up | Encaustic, oil stick, glue burn (12″ x 9″)
Martha VanRaaphorst | I’m Not Giving Up
Martha VanRaaphorst | Harmonious Vibration | Encaustic, oil stick, tarpaper, glue burn (8″ x 8″)
Martha VanRaaphorst | Harmonious Vibration
Rosemary Lee | Rocky Parts | Encaustic monotype on Bristol board with ink drawing (14″ x 11″)
Rosemary Lee | Rocky Parts
Martha VanRaaphorst | Let Me Handle It | Encaustic, hand-dyed shibori fabric with Indigo, vintage lace and other objects, wasp paper, rafia, leather cord, doll hands (10″ x 8″)
Martha VanRaaphorst | Let Me Handle It
Rosemary Lee | Low Tide | Encaustic painting on Bristol board with ink (15″ x 20″)
Rosemary Lee | Low Tide
Kim Ensch | Where One Journey Ends | Encaustic, paper, stones, wood (12″ x 24″)
Kim Ensch | Where One Journey Ends
Kim Ensch | Changing Seasons | Encaustic, paper, metal foil, shellac on wood panel (16″ x 8″)
Kim Ensch | Changing Seasons
Rosemary Lee | No. 3 | Encaustic painting with a collaged piece on wood panel (8″ x 8″)
Rosemary Lee | No. 3
Suzanne Allen | Chopstick Temple | Encaustic assemblage (12″ x 4″ x 2″)
Suzanne Allen | Chopstick Temple